The name Kandy is derived from the Sinhalese kaⁿda uḍa pas raṭa. The Portuguese shortened this to "Candea", using the name for both the kingdom and its capital Senkadagalapura. In Sinhala, Kandy is called Maha Nuvara, meaning "Great City" or "Capital", although this is most often shortened to Nuvara.

The brick wall which runs along the moat and Bogambara lake is known as water waves wall. Holes in this wall are build to light coconut oil lamps. The main entrance gates which lies over the moat is called Mahawahalkada. At the foot of Mahawahalkada steps there is a Sandakada pahana which is carved in Kandyan architectural style. Mahawahalkada is totally destroyed in 1998 bomb blast and rebuilt afterwards along with sandakada pahana other stone carvings. Elephants are depicted in stone on the either sides of the entrance. A Makara Torana and two guardian stones are placed on top of the staircase. Hewisi drummers' chamber is situated in front of the main shrine. The two storeys of main shrine are known as "Palle malaya" (lower floor) and "Udu malaya" (upper floor) or "Weda hitina maligawa". The doors of the Weda Hitana Maligawa are carved in ivory. The actual chamber which the tooth relic is kept is known as the "Handun kunama".

The golden canopy built in 1987 over the main shrine and the golden fence which encircles the main shrine are other notable features. The tooth relic is encased in seven golden caskets which engraved with precious gemstones. The caskets have a shape of a stupa. The Procession casket which is used during the Esala Perahera is also displayed in the same chamber

Embekka Devalaya

Embekka Devalaya

Embekka Devalaya (Embekka Temple) was built by the King Vikramabahu III of Gampola Era (A.D. 1357 - 1374) in Sri Lanka. The Devalaya in Embekka is dedicated to the worship of Mahasen, popularly known as Katharagama Deviyo. A local deity called Devatha Bandara is also worshiped at this site. The shrine consists of three sections, the "Sanctum of Garagha", the "Digge" or "Dancing Hall" and the "Hevisi Mandapaya" or the "Drummers' Hall". The Drummers' Hall that has drawn the attention of visitors to the site, due to the splendid of its ornate pillars and its high pitched roof. It is said that some of the wood work utilized for the "Drummers' Hall" came from an abandoned "Royal Audience Hall" at Gampola. There is every possibility the hall has seen repairs during the reigns of the Sinhalese Kings of Kandy. The carvings, which adorn the wooden pillars of the drummers' hall, as well as the "Vahalkada" (the entrance porch of the devala, which is said to be older) are some of the best examples of Sinhalese art.

The roof itse lf has significant features. The rafters all slant from above towards the incoming visitor are fixed together and kept in position by a "Madol Kurupawa", a kind of a giant catch pin the like of which we do not find elsewhere. Embekka Devalaya is situated in Medapalata Korale of Udunuwara in Kandy district. The easiest way to get to Embekka is coming from Colombo - Kandy main road at Pilimathalawa. There is a clear sign post hosted by the Archaeological Department of Sri Lanka at the start of the road to Embekka. It is about 7 - 8 km (5 miles) from Pilimathalawa to Embekka from the Colombo - Kandy main road. On the Daulagala road proceed about a mile and you will come to the Gadaladeniya junction, which you can see the famous Gadaladeniya Viharaya right at the junction. Both roads from the junction would take you to Embekka. The shortest would be the one to the right, but if you wish to see the Lankathilaka Viharaya you should take the road to the left. If you take the road to the left you can see the Embekka Ambalama just before you arrive at the Embekka Devalaya.

Daladamaligaya

After the parinirvana of Gautama Buddha, tooth relic was preserved in Kalinga and smuggled to the island by Princess Hemamali and her husband, Prince Dantha on the instructions of her father King Guhasiva. They landed in the island in Lankapattana during the reign of King Kirthi Sri Meghavarna (301-328) and handed over the tooth relic. The king enshrined it Meghagiri Vihara (present day Isurumuniya) in Anuradhapura. Safeguard of the relic was a responsibility of the monarch, therefore over the years the custodianship of relic became to symbolize the right to rule. Therefore reigning monarchs built the tooth relic temples quite close to their royal residences, as was the case during the times of Anuradhapura, Polonnaruwa, Dambadeniya, Yapahuwa and Kurunegala kingdoms. During the era of Kingdom of Gampola the relic was housed in Niyamgampaya Vihara. It is reported in the messenger poems such as Hamsa, Gira, and Selalihini that the temple of tooth relic was situated within the city of Kotte when the kingdom was established there.

During the reign of King Dharmapala, the relic kept hidden in Delgamuwa Vihara, Ratnapura in a grinding stone. It was brought to Kandy by Hiripitiye Diyawadana Rala and Devanagala Rathnalankara Thera. King Vimaladharmasuriya I built a two storey building to deposit the tooth relic and the building is now gone. In 1603 when the Portuguese invaded Kandy, it was carried to Meda Mahanuwara in Dumbara. It was recovered in the time of Râjasimha II and it has been reported that he reinstate the original building or has built a new temple. The present day temple of the tooth was built by Vira Narendra Sinha. The octagonal Patthirippuwa and moat was added during the reign of Sri Vikrama Rajasinha. Famous Kandyan architect Devandra Mulacharin is credited with building the Patthirippuwa. Originally it was used by the kings for recreational activities and later it was offered to the tooth relic. Now it is an oriental library.

The brick wall which runs along the moat and Bogambara lake is known as water waves wall. Holes in this wall are build to light coconut oil lamps. The main entrance gates which lies over the moat is called Mahawahalkada. At the foot of Mahawahalkada steps there is a Sandakada pahana which is carved in Kandyan architectural style. Mahawahalkada is totally destroyed in 1998 bomb blast and rebuilt afterwards along with sandakada pahana other stone carvings. Elephants are depicted in stone on the either sides of the entrance. A Makara Torana and two guardian stones are placed on top of the staircase. Hewisi drummers' chamber is situated in front of the main shrine. The two storeys of main shrine are known as "Palle malaya" (lower floor) and "Udu malaya" (upper floor) or "Weda hitina maligawa". The doors of the Weda Hitana Maligawa are carved in ivory. The actual chamber which the tooth relic is kept is known as the "Handun kunama".

The golden canopy built in 1987 over the main shrine and the golden fence which encircles the main shrine are other notable features. The tooth relic is encased in seven golden caskets which engraved with precious gemstones. The caskets have a shape of a stupa. The Procession casket which is used during the Esala Perahera is also displayed in the same chamber

Royal palace situated to the north of the temple. John Pybus, who was on an embassy in 1762, gives a detailed description on the royal palace. Vikramabâhu III (r. 1356-1374) and Senasammatha Vikramabâhu (r. 1469-1511) built royal palaces on this site. Vimaladharmasuriya I undertook various decorations to the palace.The Dutch historian Phillipus Baldaeus visited the palace with General Gerard Hulft in 1656. The royal residence is known as "Maha Wasala" in Sinhala from the Polonnaruwa period. The royal palace also known as "Maligawa." There were three Wahalkadas and a 8 feet (2.4 m) high wall used as main entrances. The section of the palace facing the Natha Devale is said to be the oldest. During beginning of the British period it was used by Government Agent Sir John D'Oyly. Successors of D'Oyly continued it as their official residence. Today it is preserved as an archeological museum. Ulpen Ge and Queens Palace are the associated buildings of the palace.

Audience hall or the Magul maduwa is the where the Kandyan kings held their royal court. It was completed during the reign of Sri Vikrama Rajasinha. The carvings of the wooden pillars which support the wooden roof is an example of wood carving of the Kandyan period. Sri Rajadhi Rajasinha built this in year of 1783. The hall was renovated for the reception of arrival in Kandy of Prince Albert Edward, Prince of Wales in 1872. Originally the hall of the size of 58*35.6 of feet and after the renovation length was extended by additional 31.6 feet. Other nearby building to the halls believed to be demolished during the British rule. The audience hall was the venue where the Kandyan Convention was drawn up, it was where the convention was read out to the people and where the conference, about the convention was held on 2 March 1815. That space later used to erect the Kandy Kachcheri and Kandy supreme court after that. Today it is used for state ceremonies and conserved under department of archaeology.